The position of women in antiquity varies from era to era,
so this is by way of an attempt to map some of the issues.
Greek Women
There is no single situation for women in Greece or Rome. Everything
depends on time, location and status. There was no ‘Greece’ throughout the
historical period, so what might be normal in Athens might be utterly different
fifty miles away in Thebes. Certainly Spartan women and Athenian women would
have looked askance at each other.
In Bronze-Age inscriptions from Mycenae, it can be noted
that women’s food allocation was 40% that of men, which suggests at the very
least different types of work. Related inscriptions show jobs such as cooking,
clearing and making clothes were allocated to women, so little has really
changed over time.
Homer uses the
epithet ‘white armed’ to described women of superior status, and women on pots
are often depicted in white alongside tanned men, suggesting that status for
women was tied to indoor activity and men were usually outside in the hot sun. Fashionable
suntans were only invented in the 1920s, and before that any woman with a
tanned would be assumed to undertake low-level agricultural work. Certainly
Victorian women did all they could to seem ‘pale and interesting’.
Research has shown that the average age at death for a Greek
women of the early period was 36, men at 44.
In early Greek literature, women are depicted as having a
different status and role to men, but not one that is wholly subservient. It
should always be remembered that no women in antiquity had ever come upon a
better life than that lived in her own society, so it is wrong to import modern
ideas of female equality, many of which do not predate 1970.
The first limitation in trying to read women’s status from
surviving literature is that we do not have all the literature nor all the
authors. The second is that literature is not life. The third is that that many
female figures in myth are queens, princesses or their close female servants.
Elite status confers many privileges, as do family connections and close
contact.
It has been suggested that royal inheritance may have passed
down the female line (as it did in many other societies). This is not the same
thing as matriarchy. In many myths, the hero marries the king’s daughter and
becomes the next king (e.g. Perseus, Oedipus, Jason). This is not about
favouring daughters over sons, but rather a way of guaranteeing the next king
is adult, kin, battle-hardened and worthy, as well as establishing close ties
to other Greek states.
Most of our Greek literature is from Athens, and while
Athenian authors wrote about kings, they lived in a republic, having expelled
their last king in 753, around the time that Homer was writing. So they could
write all they liked in myth about queens and it is hard to demonstrate that
you can read anything from myth about women.
The position of women in fifth century BC Athens is
notorious. Under the Citizenship Law of Pericles (451BC), women do not have
citizenship in their own right, but only as a residual of having had a father
who was an Athenian citizen. A (male) Athenian had to have an Athenian citizen
father and a mother who was the legitimate daughter of one. Under laws
introduced by Solon in the 6th century BC, an Athenian citizen woman
would generally stay at home, and leave outdoor work to a non-citizen (metic) servant
or slave. She would live in women’s quarters in the house, and it was
considered impolite to speak her name in public. This seems very odd to us, but
would have been normal to Athenian women. In Sparta, by contrast, citizen women
raised matters in public debates, raised the children and ran the state when
the men were at war.
There are many interpretations as to why such laws were
introduced, and presumably they mainly codified what was already normal
practice. The current consensus is that they were nor fuelled by antagonism
towards women, but more to do with protecting and respecting them. But a
consensus can change.
It has been noted too that while there are nine known women
poets in early Greek antiquity (as well as many women teachers), not one of
them was from Athens.
My guess is that Athens became part of the culture of Ionia,
the confederation of cities bordering onto the Aegean Sea, the rest of which
are in Asia Minor or eastern islands. The culture of the east may have become a
strong influence on Athens.
Another possibility is maintaining property within the
kin-group. Men who had daughters but no sons might have the daughter inherit,
but the nearest male family member then had to marry her. Oedipus marrying
Jocasta might be indicative of that.
Many of the women in the myths are not only queens and
princesses, they are also foreigners. Medea, Phaedra and several other figures
are of course not Greek at all, so how they behave is understood in that
context.
Is it possible to read from the myth to a historical reality
at any time? Possibly not.
Roman Women
It must be remembered that Roman women (or at least those we
can sensibly say much about) date from a much later time. Rather than the sixth or fifth centuries BC,
we are talking mainly about the second century BC onwards.
The very distinctive feature of Roman women is that they
don’t have their own names, which may seem bizarre to us. Their name, such as
it was, was the female form of their father’s family name, so Gaius Julius
Caesar might have a daughter Julia. Two sisters at home might be termed Julia
Senior and Julia Junior, three or more might be Julia Prima, Secunda, Tertia,
and so on.
It seems odd to us, but the stress is on the daughter as a
member of a clan which might be powerful and influential; women usually
remained a member of their clan (gens)
for life, never joining that of their husband.
Sons didn’t do much better; while they had personal names,
there were only fourteen pre-names (praenomina)
and many of those (Tertius, Quintus, Sextus, etc.) are only numbers anyway.
Women never had a vote in Roman elections, but by the time
of Augustus those had largely ceased anyway. This did not mean that women
lacked power and influence.
Roman women were not kept secluded, but they did have a
certain requirement, known as tutela.
This was a lifelong legal standing which put them under the tutelage of their
father, then another kin member and then maybe a brother or son. There was no
requirement of the tutor to do any
specific thing. A citizen woman who had borne two children which had lived up
to the age of one year was freed forever from tutela (if a patrician; plebeians
must have had four), suggesting an incentive to beat Roman low birth rates.
Ex-Vestals were excused tutela, but they were hardly commonplace.
Roman women had complete freedom of movement, lived their
own lives, ran businesses, operated as capitalists, invested in imperial
schemes, such as one of Claudius to fund trading ships. They were often
involved in traditionally female activities as nurses, weavers, cooks, etc.,
but were also able to work as full doctors, teachers and a number of other
professions.
We know of four Roman women writers, all in the AD period,
although one, Proba, wrote centos, poems made up of lines from other poems.
Women painters may have been more commonplace as Pliny the Elder provides a
list of them (§147-8, p.336), including the famous and successful Ialia in the
later republic, whose paintings fetched large sums.
The lot of most women was to marry, which they did at a
relatively early age; since their husband had to be independent, so he might be
twenty years older than her. Military and provincial affairs might take him far
away, so we can imagine the difficulty of a teenage wife trying to supervise a
farming estate.
Divorce was always possible in normal marriage and women
could instigate it. A divorced woman received her dowry back with interest.
Remarriage was straightforward – Rome generally considered marriage a private
matter.
The exception to that was the aristocracy, in a form of
marriage called manus (literally ‘the
hand’), which was restricted to patricians, the oldest clans. A special ritual confarreatio involved sharing a cake
made of spelt wheat. This usually prohibited divorce, since this was the same
cake used in religious rituals. The vast majority married sine manu, without the hand, and this was a legal but private
matter. Many just lived together.
Suggested Reading:
Gardner, JF (1987) Women
in Roman Law and Society, London: Routledge.
Pomeroy, S.B. (1994) Goddesses,
Whores, Wives and Slaves, London: Pimlico.
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